What Digital Camera magazine is the UK's longest running magazine of its kind, featuring digital camera reviews, buying advice, news, photography how to and photo gallery.

What Digital Camera magazine is the UK's longest running magazine of its kind, featuring digital camera reviews, buying advice, news, photography how to and photo gallery.

Nikon Camera Control Pro - This software is designed to remotely manage the settings of most digital SLR cameras Nikon. The camera can be connected to a computer via USB cable to a wired or wireless network using a wireless transmitter. At the same time providing support for advanced camera capabilities, such as LiveView, Picture Control System and Viewer, which provides an opportunity to preview and select images before transferring them to your computer. The list of supported cameras and functionality is presented below. This software allows you to manage most of the camera remotely - from a computer.

This is a BBC documentary about the photographic phenomenon that is Lomography. A filmic stocktake of the history and people that made one little Soviet camera a world-wide obsession. A fascinating insight into the bizarre world of Lomography and the camera that inspired it, the Lomo Kompakt Automat

In this DVD, Darin takes you through the production and completion of a camera projected 3D Matte painting using Autodesk Maya and Adobe Photoshop®. Darin covers the essential techniques and solutions for 3D matte painting as he progresses from rough concept to modeling, rendering and creating the painting in Photoshop®. After bringing the finished matte painted layers back into Maya, he describes how to apply them in the scene.

Mastering Motions Camera is presented in 12 individual lessons with a running time of just under 4 hours. Each lesson teaches you the most effective ways to control your camera using framing, sweep, dolly, focus and move behaviors. Youll also learn how to animate your camera with keyframes and how to combine keyframes with behaviors. This tutorial removes the mystery behind creating popular cinematic look via Motions depth of field and angle of view controls.

In the last few years, many companies went to use different programs ( 2D and 3D ) and different devices (motion capture, motion control) to achieve specific kinds of shots to meet difficult or critical creative needs. A generic problem presents itself during this hybrid use of different programs and devices (programs made by different companies ) which is the process of data exchange between them. Every program or machine has its own logic which could be different from other rest, but they all share the same blood, which is the data.