TheComplete Motown Singles has been a dream project of Motown and soulfanatics for many years, ever since the first decade of Stax/Voltsingles was compiled in an impressive nine-disc box set in 1991. Priorto that, no soul label had its output as thoroughly documented as thatset -- there had been the Atlantic R&B box, which collectedhighlights, but it never attempted to capture the labels entire run --and while The Complete Stax-Volt Singles 1959-1968 missed a B-side ortwo, it was an exceptional piece of music history, and pretty damnentertaining to boot. It was so good that it seemed like Motown would bea natural to receive the same treatment, since the label not only had agreater impact -- not just musically, but culturally -- but it had amuch more diverse roster, which would make for an exciting set. TheComplete Motown Singles might have seemed like a logical move to soulcollectors and fanatics, but it remained in the realm of fantasy formany years because, as enticing as that set was, it was difficult tocreate. First, there was the perennial problem of Motown reissues, wherethe label is always inclined to recycle the familiar hits instead ofdig deep into the vaults. That situation improved in the early 90s,after Universal acquired the catalog and began to release sturdy setslike the Hitsville USA box and multi-disc sets by the Temptations andthe Four Tops, but even with the success of these releases, there wasreluctance to launch a project like The Complete Motown Singles for twobig reasons. One, it was a massive project, dwarfing the Stax/Voltoutput, which could be squeezed into three nine-disc sets by eliminatingonly a few B-sides and a handful of singles without anybody butscholars and obsessives knowing the difference. Motowns classic periodof 1959-1972 featured hundreds of songs -- roughly 50 discs worth ofmusic, which lead to the second big problem, which is that even if thelabel approved such a set, it would not be commercially feasible, sinceno store would stock such a series, no matter how it was broken up.

Zero-G and Xfonic present URBAN LEGEND - a 2 DVD set full of the coolest, most up-to-date hiphop on the planet. THIS LIBRARY IS IMMENSE!. Urban Legend: From the makers of the best-selling Urban Ammunition comes the largest library of urban samples ever to hit the streets. With almost 8000 samples at your disposal Urban Legend will never fail to deliver something new to inspire your hiphop and RnB productions.

A washed up Vegas lounge singer, Jack Satin (Hamilton von Watts), has no money, no job, and delusional aspirations of fame. When Jack is forced to leave Vegas, he packs up his old Cadillac and hits the road for Atlantic City. But his car dies in the desert and Jack is left stranded in the small town of Lost Springs. There, Jack meets jazz legend turned mechanic, Doc Bishop (Robert Guillaume), who helps him with his car trouble. Although Jack is far from the stage, he begins to find himself feeling at home in the small town. When he meets dreamy eyed bartender, Lauren Wells (Melissa Joan Hart), Jack starts to see there is more to life than chasing fame and fortune. Doc encourages Jack to explore his true love of music, while Lauren provides the audience he has always wanted. But as Jack realizes this town has more to offer him than the bright lights of the big city, his Vegas past catches up with him -- what unfolds is comedy at the crossroads of life.

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Nothing but the Beat is the fifth studio album by French disc jockey (DJ) and record producer David Guetta. The album was released on August 26, 2011 through Virgin Records (EMI). Released as a double album, the first disc features collaborations with artists from the R&B, hip hop and pop world such as Lil Wayne, Usher, Jennifer Hudson, Jessie J and Sia Furler. Also making appearances are will.i.am and Akon, both of whom previously collaborated with Guetta on his fourth album, One Love. In comparison, the second disc features purely instrumental tracks.

DJ Stormtrooper debuts his first ever hardcore sample pack, a complete construction kit for UK Hardcore packed full of all the elements you’ll need to launch your next anthem! Over 200 mb of hardcore samples including single shot drum hits, FX, synth stabs and ready to play multi-sampled synths, basses and pads as Sound Fonts.

Hailedby The Washington Post following his US debut as A pianist with raregifts for the world.. we know of no pianist anything like him of anyage, the Canadian Glenn Goulds celebrity and popularity have onlyincreased since his death, a few days after his fiftieth birthday in1982. With his unique power to communicate he reached and deeply movedvast numbers people previously untouched by classical music, whilecontinuing to enthrall and stimulate many of the greatest musicians inthe world. Especially noted for his interpretations of Bach, he gave upperforming in public in 1964, devoting himself entirely to recordingswhich continue to mesmerise listeners with their magical immediacy.

"This double-CD set, recorded at the Royal Albert Hall in late 1999, is best thought of as an encapsulation of the inevitable. Deep Purple were the first band to note that heavy metal and classical music shared a certain deluded grandeur and attempted to combine the two. While what resulted--specifically, their "Concerto For Group & Orchestra"--was pretty fearful stuff, it did, for better or for worse, pave the way for a generation of classically influenced heavy rock bands: King Crimson, Yes and Queen, among others. "Concerto" features here, played for the first time in years, alongside a bunch of the Purple's more genteel songs. Ian Gillan, who can still do a creditable impression of a bomber revving for takeoff, shares vocals with Ronnie James Dio and Sam Brown. The all-hands-on-deck encore of "Smoke On The Water" is included as a CD video, confirming that it all looked, on the night, as engagingly preposterous as it sounded." --Andrew Mueller