Muse's fusion of progressive rock, glam, electronica, and Radiohead-influenced experimentation is crafted by guitarist/vocalist Matthew Bellamy, bassist Chris Wolstenholme, and drummer Dominic Howard. Bored by the sleepy life provided by their hometown of Teignmouth, Devon, the three British friends began playing music together. They started the first incarnation of their band while only 13 years old, changing the name of the group from Gothic Plague to Fixed Penalty to Rocket Baby Dolls as time passed. By 1997, the bandmates settled on the name Muse and released their self-titled debut EP on Dangerous Records, followed by the Muscle Museum EP in 1998. The group's emotive, passionate sound and live presence drew critical acclaim and industry buzz, and Muse signed a deal with Maverick Records after a trip to New York's CMJ festival. The singles "Cave" and "Uno" preceded their debut full-length album, Showbiz, which was released toward the end of 1999. Two years later, Muse issued The Origin of Symmetry and had a major hit with "Hyper Music," which helped propel the album to platinum status in the U.K.

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Product Description
Learn eight Acoustic Rock guitar songs with Jamie Humphries

"Echoes is a double-CD collection of some of Pink Floyd's best songs; it's also an interesting document of the band's history. They began life as Syd Barrett's mandrax-flavoured nursery-rhymers--gnomes, scarecrows, cats and bikes a speciality--before clasping the wings of Icarus and ascending towards the sun on an epic space-rock odyssey, eventually turning left once they reached the dark side of the moon and burning up on re-entry, crash-landing on every earthlings' home hi-fi with the imperious but seething embitterment of their (or more pertinently, Roger Waters') pomp rock; the sociological (Animals), totalitarianism (The Wall) and World War (The Final Cut). And it's all here--30 years of the Floyd's awesome back catalogue trimmed down to two handsome CDs. It is worth reiterating that, despite a fondness for pyrotechnics (and fittingly--and perhaps deliberately--the album was released on November 5th), Pink Floyd were never a prog-rock band. Sure, some of their songs were a bit long, and they never released singles (at least not for 11 years), but the same could be said for Led Zeppelin. Clinically devoid of the cod-classical overtures and vainglorious musicianship of that era, Pink Floyd were a pole apart; Meddle's epic maritime tone-poem "Echoes" remains The Floyds' apogee. But here, on this collection, "the albatross" which "hangs motionless upon the air" has had its wings clipped--seven full minutes are missing, but you'd never be able to tell. The sonar bleeps, the screeching seagulls, the howling winds are all retained and whoever wielded the editorial axe did so carefully, Eugene. Interestingly, the non-chronological track listing works--the summery, childhood enchantment of "See Emily Play" timetabled right next to the square-bashing school discipline of "Happiest Days Of Our Lives"--and at least this way no-one will switch off when material from "A Momentary Lapse in Reason" comes around. Despite the curious omission of "Atom Heart Mother", this really is the very best of the Floyd--from the throbbing "One Of These Days" (conceived as an attack on disc jockey Jimmy Young), to the pop operatic "Great Gig In The Sky" and the genius silvery fluidity of Dave Gilmour's guitar work. This is timeless, as many members of Sigur Ros, Radiohead, Blur, Beta Band etc will no doubt testify."